With his new song, “Deep End,” indie pop sensation Dayglow, real name Sloan Struble, returns with an abundance of summertime feelings. The hazy track demonstrates Sloan’s skill at creating universally relatable, emotional music with lots of powerful hooks and enticing melodies. The song “Deep End” is full of soaring, contagious synths that intertwine with energizing, dreamy pop sounds. With her upbeat and honest voice, Sloan encourages listeners to take chances by diving in headfirst and having faith in the journey. Speaking about the process of creating “Deep End,” Dayglow said, “It was a really revitalizing experience.” I had recently acquired an Oberheim Matrix 6, a vintage synthesizer, and I was enjoying experimenting with its sounds. I wasn’t putting any boundaries or limitations on what “sound” I was trying to achieve. I was only attempting to create something pleasant and liberating with my imagination.” “The song’s foundation is made up of about three different patches that I recorded that day,” he continues. It had a very raw feel about it, yet feeling fresh and clean.
I adore “human” and “alive” electronic/dance music. It’s such a dangerous task to pull off, but I think this song made the magic happen and provided access to the world that would eventually become People in Motion.” “Deep End” will be featured on the artist’s next album People in Motion, which will be available on October 7. He says, “Making this song (and this whole record) was a new and freeing experience for me,” when discussing the single and the creative process. ‘Creative limits’ were not something I imposed on myself, and I made no genuine effort to draw heavily from outside sources. All I wanted to do was record something incredibly polished, dance-oriented, and honest. I love “alive” and “human” dance/electronic music. Although it’s a risky endeavor, I believe this song was crucial in creating the magic and opening doors to the globe that would eventually give rise to People in Motion.”
The song “Deep End” may be heard on the upcoming album by the musician, People in Motion, which drops on October 7. When talking about the single and the writing process, he states, “Making this song (and this whole record) was a new and freeing experience for me.” I didn’t set “creative limits” for myself, and I didn’t really try to rely too much on outside inspiration. I really wanted to record something really professional, dance-focused, and genuine. “I wanted to create a surreal, kaleidoscope-style image that was purely enjoyable. I intended to use a flowing, watery approach to represent the song’s reference to “flowing water” in the animation.”
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